Ponselle, Rosa: American Recordings (1939, 1954) - CD
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Ürün Hakkında
Barkod: 0747313314225
, Katalog No: 8.111142-44 , Firma: Naxos
, Seri: Naxos Great Singers
, Yayınlanma Tarihi:
29 Nisan 2008
Tür:
Klasik Müzik
,
Opera
,
Orkestra Müziği
,
Barok
,
Klasik Dönem
,
Romantik Dönem
,
20-21. Yüzyıl
,
Şan
,
Pop - Rock
,
Nostalji
Format Türü: CD, Format: 3 CD
Eser Listesi
- CD - 1
- 1. Si tu le voulais
- 00:02:52
- 2. A l'aime
- 00:03:51
- 4 Songs, Op. 2 (1866)
- 3. 4 Songs, Op. 2: No. 2. The Nightingale and the Rose (Vostochniy romans: Plenivshis' rozoy, solovey)
- 00:03:51
- 4. When I have sung my songs
- 00:02:04
- When I have sung my songs (1934)
- 5. When I have sung my songs (unpublished take)
- 00:02:18
- Ave Maria, Op. 52 No. 6, D. 839 "Hymne an die Jungfrau" (1825)
- 6. Ellens Gesang III (Ave Maria!), Op. 56, No. 6, D. 839, "Hymne an die Jungfrau"
- 00:05:15
- 7. On Wings of Dreams
- 00:03:42
- Ave Maria, Op. 52 No. 6, D. 839 "Hymne an die Jungfrau" (1825)
- 8. Ellens Gesang III (Ave Maria!), Op. 56, No. 6, D. 839, "Hymne an die Jungfrau"
- 00:05:09
- 9. Plaisir d'amour
- 00:04:02
- 10. Jeune fillette (arr. J.B. Weckerlin)
- 00:01:41
- Beau soir, L. 6 (1891)
- 11. Beau soir
- 00:02:36
- 12. Bonjour, Suzon!
- 00:02:48
- 3 Chansons de Bilitis (1898)
- 13. 3 Chansons de Bilitis: No. 2. La chevelure
- 00:03:33
- Carmela, "Carmen, Carmela" (arr. G. Ross)
- 14. Carmela, "Carmen, Carmela"
- 00:02:23
- Geleneksel
- Tonadillas al estilo antiguo (1911)
- 15. 15 Tonadillas al estilo antiguo: No. 8. El mirar de la maja
- 00:03:22
- 16. La Partida
- 00:04:11
- L'amor contrastato, "La molinara" (Highlights) (1788)
- 17. L'amor contrastato, "La molinara", Act III: Nel cor piu non mi sento
- 00:01:54
- 18. Star vicino
- 00:01:47
- A vucchella, "Arietta di Posillipo" (version for voice and piano) (1903)
- 19. A vucchella, "Arietta di Posillipo"
- 00:02:02
- Ideale (version for voice and piano) (1882)
- 20. Ideale
- 00:03:47
- Marechiare (version for voice and piano)
- 21. Marechiare
- 00:02:56
- 22. Fa la nana, bambin'
- 00:02:47
- 23. Dicitencello vuie
- 00:03:22
- 24. Could I
- 00:05:01
- CD - 2
- Amadis (1684)
- 1. Amadis, Act II: Bois epais
- 00:03:16
- 2. Rosemonde
- 00:03:30
- 3. Guitares et mandolines
- 00:01:35
- 4. Le temps des lilas
- 00:04:59
- 4 Gesange, Op. 43 (1866)
- 5. 4 Gesange, Op. 43: No. 1. Von ewiger Liebe
- 00:05:11
- 6. Schichte Weisen, Op. 4: No. 5. Mir traumte von einem Konigskind
- 00:03:12
- 7. Erlkonig, Op. 1, D. 328
- 00:04:04
- 8. In questa tomba oscura, WoO 133
- 00:03:26
- 4 Rispetti, Op. 12 (1902)
- 9. 4 Rispetti, Op. 12: No. 1. Quando ti vidi a quel canto apparire
- 00:01:12
- O del mio amato ben (version for voice and piano) (1918)
- 10. O del mio amato ben
- 00:04:34
- Aprile (version for voice and piano)
- 11. Aprile
- 00:03:00
- 12. Amuri, Amuri
- 00:04:21
- 13. I battitori di grano
- 00:01:16
- 14. Drink to me only with thine eyes
- 00:03:02
- Geleneksel
- 15. The Night Wind
- 00:01:41
- 16. Homing
- 00:02:37
- Interview with Rosa Ponselle by Ruby Mercer
- 17. Introduction and announcement of Lully's Bois epais
- 00:01:24
- 18. Comments on Persico's Rosemonde
- 00:00:54
- 19. Comments on Saint-Saens's Guitares et mandolines
- 00:00:55
- 20. Comments on Brahms's Von ewiger Liebe
- 00:01:09
- 21. Comments on Trunk's Mir traumte von einem Konigskind
- 00:00:43
- 22. Comments on Schubert's Erlkonig
- 00:01:42
- 23. Comments on Beethoven's In questa tomba oscura
- 00:01:04
- 24. Comments on Wolf-Ferrari's Quando ti vidi a quel canto apparire
- 00:00:32
- 25. Comments on Donaudy's O del mio amato ben
- 00:00:53
- 26. Comments on Tosti's Aprile
- 00:01:06
- 27. Comments on Sadero's Amuri, amuri
- 00:00:49
- 28. Comments on Sadero's I battitori di grano
- 00:00:33
- 29. Comments on Drink to me only with thine eyes
- 00:00:59
- 30. Comments on Farley's The Night Wind
- 00:00:51
- 31. Comments on Riego's Homing and concluding remarks
- 00:01:53
- CD - 3
- Le nozze di Figaro, K. 492 (1786)
- 1. Le nozze di Figaro, K. 492, Act II: Voi che sapete
- 00:02:48
- 2. Gli tre cicisbei ridicoli: Tre giorni son che Nina
- 00:02:40
- 3. An die Musik, Op. 88, No. 4, D. 547
- 00:03:06
- Der Tod und das Mädchen, Op. 7 No. 3 D. 531 (1817)
- 4. Der Tod und das Madchen, Op. 7, No. 3, D. 531
- 00:02:54
- 5 Gedichte fur eine Frauenstimme, "Wesendonck Lieder" (arr. F. Mottl) (1858)
- 5. 5 Gedichte fur eine Frauenstimme, Op. 91, "Wesendonck Lieder": No. 5. Traume
- 00:05:06
- 4 Lieder, Op. 27 TrV 170 (1894)
- 6. 4 Lieder, Op. 27, TrV 170: No. 4. Morgen
- 00:04:06
- 6 Romances, Op. 6 (text by L.A. Mey) (1869)
- 7. 6 Romances, Op. 6: No. 6. Nur wer die Sehnsucht kennt (None but the Lonely Heart)
- 00:03:26
- 8. L'Invitation au voyage (version for voice and piano)
- 00:04:30
- 9. Psyche
- 00:03:15
- 10. Tristesse eternelle (arr. of Chopin's Etude No. 3 in E Major, Op. 10, No. 3)
- 00:03:29
- 7 Canciones populares espanolas (1914)
- 11. No. 3. Asturiana
- 00:03:02
- 12. No. 5. Nana
- 00:01:46
- 13. My Lovely Celia
- 00:02:25
- Sketches of Paris (1925)
- 14. Sketches of Paris: No. 4. In the Luxembourg Gardens
- 00:02:21
- 15. Agnus Dei
- 00:03:19
- 16. Ave Maria
- 00:04:24
- 17. Ave Maria
- 00:05:59
- 18. Ave Maria
- 00:04:32
- 19. Ave Maria
- 00:03:42
- 20. Se
- 00:04:32
- 21. Colombetta, "Serenata veneziana"
- 00:03:35
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